Thursday night (10/30) at 8:00 p.m. at VCU’s Singleton Center, drummer Scott Clark will lead his group The Scott Clark 4tet in a performance of a new work called “Bury My Heart,” a suite that draws on the history of Native Americans and their subjugation by the United States Government. The title for the work comes from Dee Brown’s 1970 book Bury My Heart at Wounded Knee.
Articles by Peter Solomon
On May 1st the Richmond Times-Dispatch reported the death of T. Tyler Potterfield Jr., architectural historian and a senior planner in the Richmond Department of Planning and Development Review. Potterfield’s book, Nonesuch Place: A History of the Richmond Landscape, gives a fascinating account of the way Richmond developed over three centuries, going all the way back to William Byrd.
One of the last songs that Johnny Cash recorded before he died was called “There Ain’t No Grave (Gonna Hold My Body Down).” But that song is not a Johnny Cash original. “Ain’t No Grave” was actually written in 1934 by a 12-year-old boy named Claude Ely. Ely went on to become an itinerant Pentecostal preacher known to his followers as Brother Claude, the Gospel Ranger.
Last April, Richmond saxophonist Plunky Branch celebrated 40 years leading his Afro-Jazz Funk Ensemble “Plunky and Oneness.” 88.9 WCVE’s Peter Solomon caught up with Plunky at his home near Byrd Park where he spoke about his life and musical career.
This segment originally aired last April on 88.9 WCVE’s Jazz Program. Find more information on Plunky and Oneness here.
Historic Tredegar Ironworks is situated in the middle of the Richmond Folk Festival Grounds. Today its the site of the American Civil War Center. In its heyday, it was the South's most important manufacturing establishment. Tredegar Ironworks played a crucial role in arming the Confederacy, and that story is inextricably linked with the story of its owner: civil engineer, industrialist and Confederate General Joseph Reid Anderson.
If you’re a fan of live music in Richmond, odds are good that at some point you’ve run across the path of Herbert ‘Debo’ Dabney. Debo is everywhere. You might catch him playing Gospel, Jazz, R&B, even Country-swing. On October 14th, he played the Hammond B3 organ in a concert at Capitol Ale House, and the recording will be used for his first CD project.
Part 2 of a discussion of the Virginia Folklife Program’s demonstrations and performances at the 2014 Richmond Folk Festival. Again, the performances have past already but the information Jon Lohman discusses is interesting, particularly Maggie Ingram’s story and some nineteenth century history of the banjo.
The Virginia Folklife Area has been an important part of the Folk Festival since it first came to Richmond 10 years ago. This year, the Virginia Folklife area celebrated 25 years of documenting the Commonwealth’s rich musical and material traditions from Bluegrass to Gospel, fiddle making to boat building.
Even though the events that Jon Lohman discusses in this segment have passed, you can find lots of information on all of these artisans at virginiafolklife.org.
In recent years around the world, there has been a resurgence of interest in the ukelele. Peter Solomon originally produced this piece in 2013 and it was re-packaged and updated by Steve Clark for this year’s broadcast. Since this piece first aired, both Steve Clark and Peter Solomon have taken up the ukelele.
Details on the event mentioned in this piece, the third annual Uke Fest Virginia can be found here.