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Then & Now LIVE in Croudeland

Grandson of a Kentucky Governor. US Air Force Vet. Manufacturer of LSD. Pioneering Audio Engineer. Those are four titles that belong to Owsley “Bear” Stanley. Music history remembers him best for that fourth description. And it was this weekend–24 years ago–that he recorded Janis Joplin at the Carousel Ballroom--only recently released. In an age when concert sound was by and large lo-hi, Bear had radical approaches to changing the abysmal sonic scene.

Global Pop for Pops Around the Globe

So perhaps this is a "Dad-ism," or an "Ian-ism," as my Dad would say to me when I was younger. I just realized, while starting to write this, that this week's World Music Show (6/16) aires right before Father's Day.

Did I plan out a special show for Dads to enjoy? Not particularly.

But, can I wrap all the songs I'll be playing this Saturday into a nice package with a bow and present it as a Father's Day special? You bet!

Here's why: 

Album Review: Béla Fleck and the Marcus Roberts Trio - Across the Imaginary Divide

It’s rare to hear banjo in a straight-ahead jazz setting these days, which makes the new collaboration between banjoist Béla Fleck and jazz masters the Marcus Roberts Trio all the more interesting.  What started as an impromptu jam session at the Savannah Music Festival in 2009 has turned into an hour long album entitled Across The Imaginary Divide, released June 10 on Rounder Records. 

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