Sometimes when I'm trying to think of what to play for a show, I toss around a few different themes or points on the globe in order to put together a solid show. Then, there are other times when I take all those ideas and just toss then in the metaphorical blender just to see what comes out. On this week's show (5/28), that's the route I've chosen. But, don't worry, blended shows are just as tasty as well, crafted shows. I mean, how else would you get to hear reggae music from New Zealand, or Woody Allen movie music from Barcelona? With a blended show, the possibilities are endless.
Let me ask you this: Are you someone who likes to or has to play a CD from start to finish? Or are you someone who likes to hit the shuffle or random button when you play your music? As for me, my needle (that's a reference to how albums are played) likes to play my music both ways. Sometimes I have to go from start to finish and other times I like to take whatever plays. So on this World Music Show (5/21), I've decided to hit the shuffle button on my world music playlist, which will feature some tunes from my personal iPod.
A pun I’ll admit – as you can’t Fireballet on Focus. And somehow the James Gang doesn’t fit in there but will in the show.
That brings us to compositional length. In the early to mid 1960s, most radio material seldom exceeded 3 minutes. That all changed with commercial Progressive FM radio in the latter part of that decade.
“Ever hear of this Robert Zimmerman??”
You have to imagine that’s what raced through the minds of Brandeis University students in May, 1963. Bob Dylan wasn’t famous and played the metaphorical second fiddle to those such as Pete Seeger, Jean Redpath and others. His music was accepted enthusiastically and the concert taped....AND....buried for decades.
Do you ever dream about a place that you've never been to? I do, and for me, France is one of those places for me. I've never been to France, but through all the films' pictures and of course music, I feel like I can almost walk the streets with my eyes closed. So, with that, on this week's (5/14) World Music Show, we’re all going to take a trip there together, well, musically at least. So, for just about two hours, we’ll be transported.
With the move from my afternoon slot to a more, permanent night-time gig here at WCVE Public Radio, I'm able to explore more themes than I was able to earlier in the day. So, with this new time, I've been trying to expand what I play, along with ideas I want to share. So, this week (5/7), I wanted to look at two artists who have really made an impact on me, and on the World Music landscape in general.