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True story. I was having dinner recently with a good friend and running down the list of guests on the Croude during IGM (International Guitar Month). My pal, an acoustic guitar player asked what Dave Hunter’s specialty was? I paused a second, then said everything! It sounds like hyperbole but when i spoke to the author/musician/editor by phone recently, I joke about how one man could amass so much guitar knowledge and still be under 200 years of age?
A weekly roundup of selected TV and radio programs, web content and local music events.
Ah, the trouble I run into some weeks when I sit down and try to write this little blog. It's a simple problem, really--what hook can I jot down that will get you to not only read this article but will get you to tune in to The World Music Show (this Saturday at 10:00 p.m.). Sometimes a band or artist is so new or unusual or cool that it's easy for me to write about. While other times, there may be a holiday or a unique instrument that I want you to check out.
And then there are weeks like this.
Back in the late 1970s, I worked in the diamond district of of NYC. At first it seemed exotic. Then daily tedium set in so badly I found myself taking lunch breaks a block down on 48th street to save my sanity--the music street as its known. At the time Electro- Harmonix had a great showroom. Cool and dark on blistering Manhattan days, it was like stepping into a time portal with untold treasures of guitar effx boxes.
In thinking about this week's World Music Show blog (4/7), perhaps the above title should be changed to "Stretching the Borders," for part of the theme of the show this go-round is that I'm trying to expand the definition of "World Music." Call me an upstart if you will, but part of what I like to do is to explore when the beats of "World Music," began creeping into the fabric of "Pop Music."