Virginia Repertory Theatre opens the World Premiere of “The End of War” by Richmond native David L. Robbins this weekend at the Sara Belle and Neil November Theatre. The play is set in Berlin during the final days of World War II and examines the fears and atrocities of war from the perspective of a brilliant young cellist, her mother who is harboring one of the city's last Jews, and two Red Army soldiers fighting their way through the Eastern front.
Canadian pianist Jan Lisiecki is releasing a new album which features the works for piano and orchestra by Frederic Chopin. Lisiecki was born to Polish parents in Canada in 1995. He began piano lessons at the age of five and made his concerto debut four years later.
There have been some strange things in the world of World Music. Sure, some happen to think that World Music involves the spiritual, ethereal sounds of wind chimes, chants and handclaps led by people wearing burlap sacks or something of the sort. However relevant or not those styles of World Music are, in my book, I seldom give them any credence. But more importantly, what does this have to do with this week’s World Music Show (3/11)?
In a word: Zilch.
The adjective “gigantic” is a fun one to use. It can describe so many things. But is it apropos to be the umbrella which protects the contents of a World Music Show? Sure! Why not! Because on this week’s World Music Show (3/4), they’ll be some gigantic beats to protect, or rather more aptly project.
More than 11 years ago, my wife and I read a great book called “What to Expect when Expecting,” which if you don’t know is about having a baby. Well, on this week’s World Music Show (2/25), I could stretch or mutilate that title and pirate it for this week’s show, as in “What to Expect in World Music.” I admit, it is a stretch. And, for those who may be looking for hidden clues in this blog, no, my wife and I are not “expecting.”