The old cliche of “they don’t write’em like they used to” has more truth in today than ever before. One litmus test is American Idol--notice how many covers the contestants perform. And how many younger members of our generation think this is “real music.” One of the major diiferences between the 1960s and today was the massive outpouring of musical creativity then as opposed to now.
The Electric Croude
Musical trends may come and go as whimsically as the big snow storm that never appeared this winter. Its nostalgia. Coming from the Northeast where real seasons existed, I prefer each of the climactic quadrants to behave in a certain way. Of course, they won’t. And that’s as good a reason as any to highlight some unsual blues-y moods.
Judging by industry sales, it safe to assume--at least in the past anyway--that Christmas music has been an important part of the Season.
I grew up with it and special special memories. Back in the day--vinyl. Samplers were the bomb. Everybody put out great long playing samplers. Even those you would not expect like Firestone Tires. And often with world class peformers. My own introduction to "medievalism" came from an Ames Brothers recording of Good Kind Wencelas--actually an after Christmas carol. Funny how 2 and half minutes can change your worldview.
On the show: the Nine collaboration of Fairport. Convention...Steve Morse stepping out of the box into Hitchcockian terrority...PJ Harvey as October...the R rated FJ Child ballads served up by Steeleye Span & Martin Carthy...new music from The Electric Croude Bande...the Moonlight Sonata on wistful electric bass by Stu Hamm...Gentle Giant becomes feline...and an Epitah by King Crimson.
Heart/Richard White/Suzanne Vega/Rush/Jeff Beck/Kati Mac/U2/Apocalyptica/Twisted Gypsies/Blind Faith/ PJ Harvey