Let's see. Two new books for you--AREA 51 by investigative journalist Annie Jacobsen and The Hunt for Zero Point by Nick Cook, former aviation editor of Jane's Defence Weekly. And of course the music. As diverse as Area 51 is complicated its not a black and white issue. There are those who are convinced the secret military installation [which does not exist according to the US government] is a secret base where fake moon landings were staged and aliens are housed. Other questions pop into existance as rapidly as the quantum flux...
The Electric Croude
Despite the fact that its fiction with a number of historical and spiritual errors, the 1986 film featuring a musical score by Ry Cooder is still the best film about Guitar-dom ever made. John Fusco's screenplay given one off direction by Walter Hill elevates a simple story to mythical proportion. Not to mention the virtuosity of Steve Vai and Cooder's slide work enhanced with a number of blues legends.
You know you’re getting older when....wait. Don't answer that.
How is it i can remember the loud, clean, piercing tone of Albert King’s Flying V, the mania that followed a J Geils performance and the southern style and majesty of the original Allman Brothers Band, but have to look for my car keys if they are not in their designated morning place? Ok...that’s rhetorical. Don’t answer that either.
On this Father’s Day we ride the ride in aural fashion with a salute the River. Through out Americana rivers have played a strong performance not only in songs but instrumentals as well. Sometimes it takes a Canadian to show us the richness of our history--introduce Robbie Robertson from The Band and Emmylou Harris as the show begins.
Third Season and Winter we broadcast from Castle Croude. In the summer months we use the Atavachron to pass through and float on the quantum sea of scalar imagination. Pun in and unintended. But in hot weather we become Café Croude.
As a musical artist if you're submitting your material for a CD sampler or elsewhere, its not unusual to be asked on a form how do you describe your music....folk, new age, alternate or fill in the blank. Labels are the bane of classifying modernn creativity and that brings us to the subject of this week's primary focus. The ever unpredictable and always challenging Carol Lipnik.
This particular holiday weekend is perhaps one of the most bizarre for me. The commercial media ratio of advertising to awareness of Memorial Day is....well, I dont' have to tell you. My late Dad was a vet of WWII. So are some of my fave departed uncles who also served overseas. At the oddest moments I'll sometimes think of them under fire with the hell of war surrounding them. Because of what they did I'm here. And the domino effect through the decades is this radio station, the weekly Croudes you tune in and our general way of life.
A pun I’ll admit – as you can’t Fireballet on Focus. And somehow the James Gang doesn’t fit in there but will in the show.
That brings us to compositional length. In the early to mid 1960s, most radio material seldom exceeded 3 minutes. That all changed with commercial Progressive FM radio in the latter part of that decade.
“Ever hear of this Robert Zimmerman??”
You have to imagine that’s what raced through the minds of Brandeis University students in May, 1963. Bob Dylan wasn’t famous and played the metaphorical second fiddle to those such as Pete Seeger, Jean Redpath and others. His music was accepted enthusiastically and the concert taped....AND....buried for decades.
Its Mom's Day and the 100th birtday of blues legend Robert Johnson on The Electric Croude. A special giveaway for Moms, exploring the music of R.J. and contrasting it with the lighter side of reality with bluesman and preacher Blind Willie McTell. Also observations & music from Robert Plant, Keith Richards, Billy Gibbons and how Johnson influenced them.