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The Electric Croude

The Electric Croude Bande Debuts New Song

On the show:  the Nine collaboration of Fairport. Convention...Steve Morse stepping out of the box into Hitchcockian terrority...PJ Harvey as October...the R rated FJ Child ballads served up by Steeleye Span & Martin Carthy...new music from The Electric Croude Bande...the Moonlight Sonata on wistful electric bass by Stu Hamm...Gentle Giant becomes feline...and an Epitah by King Crimson.

Perceptions

This week:

Jethro Tull vinyl you may not know from 25 years ago.

Gentle Giant

OHO

New releases from Kati Mac and Rodriguez

Laura Nyro

Mountain

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The Innovators

My favorite instruments are guitars and brass--and their forerunners from centuries ago. In this age - if we limit ourselves to circa 1969-71 - first thoughts gravitate to Miles Davis and the Allman Brothers. I had the honor of seeing the latter at the now defunct Fillmore East

My Midsummer Night’s Dream

The bain of commercial music radio nowadays is the limited number songs forced in repetiton ad nauseum. No finesse. No sense of season. No poetry in programming. To borrow a phrase, it doesn’t take a rocket scientist (or a PH.d in music) to understand that music is created with a certain mindset--in a certain time, space, intent and emotion. Its the reason we play Christmas carols in December--not August.

Then & Now LIVE in Croudeland

Grandson of a Kentucky Governor. US Air Force Vet. Manufacturer of LSD. Pioneering Audio Engineer. Those are four titles that belong to Owsley “Bear” Stanley. Music history remembers him best for that fourth description. And it was this weekend–24 years ago–that he recorded Janis Joplin at the Carousel Ballroom--only recently released. In an age when concert sound was by and large lo-hi, Bear had radical approaches to changing the abysmal sonic scene.

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