This week marks the debut of a new mini-series running within the body of The Electric Croude titled Notes from America. This new feature will concentrate on the 99%ers of working musicians--not the 1%ers vaulted across network TV airwaves.
Welcome to The Professor’s Picks, a new column designed to supplement Time for the Blues. Henry and I are always on the lookout for new material and are fortunate to receive a number of CDs from studios, publicists, and friends of the show. And once in a while, we even go out and buy some as well. Truth is, even with trying to bring 14 songs a week to the show, we run out of time and don’t always get around to playing all of the songs we want to play.
On this week's World Music Show (5/9), it's all about letting the sunshine in. Ok, sure, that's a kooky reference to a classic song (that would not be heard on this show), but it's also a nod to some of the songs you'll hear this week. However, unlike that classic reference, these songs won't be sappy (sorry classic song lovers). Plus, a bonus is that we'll also hear some new music.
Let's cut to the right to the chase. Time is of the essence for this week's World Music Show (5/2). Why? Not, sure. Perhaps it's just one of those week's in which I can't seem to catch up. But, for Saturday night's show, I'm planing on slowing down enough to enjoy what I'll be playing. And if you're having a similar week, perhaps you'll benefit from tunining in.
Of course, the answer to the headline is Love. But perhaps a better headline for this week should be: What makes the world Public Radio go round? Answer: you. Oh sure, some funding from our great underwriters as well as from some other sources helps too. But the bottom line is that you, our listeners, help make this World of Richmond Public Radio go round. You're the gravitational pull that keeps us spinning. Because without your invenstment, the spinning would stop.
Opera’s most enduring tragic double bill returns in an evocative new production from Sir David McVicar (Giulio Cesare, Maria Stuarda, Il Trovatore), who sets the verismo action across two time periods but in the same Sicilian setting. Marcelo Álvarez rises to the challenge of playing the dual tenor roles of Turiddu in Cavalleria Rusticana and Canio in Pagliacci.
Daisuke Yamamoto, concertmaster of the Richmond Symphony, stopped by our WCVE studios to chat about this weekend's performances at the Carpenter Theatre. Daisuke will be the soloist, performing the Violin Concerto by Jean Sibelius. Also on the program will be the Enigma Variations by Sir Edward Elgar and the world premiere of an RSO commission by composer Benjamin Broening titled “Sea Surface Full of Clouds.”