If all you think of is light comedies and musicals when you think of Swift Creek Mill Playhouse, you might have to challenge that assumption and see their current production, the world premiere of The Little Lion.
The title of the play being produced by Quill Theatre and playing at Richmond Triangle Players contains one of the seven words George Carlin told us we couldn’t say on television - or by extension radio. So you’ll have to forgive me if I identify the play by an alternate title, “Stupid Effing Bird.”
From Quill Theatre – Quill Theatre explores Hamlet through an alternate lens. Following a 200-year-old tradition of female Hamlets, Richmond’s award-winning actress, Molly Hood, takes on the title role. Shakespeare lays bare his character’s nobility and fallibility and, in that spirit, this production will investigate the implications of a modern woman as heir to an ancient throne.
Special from 88.9 WCVE Public Radio Host and Producer George Maida
The problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat”
Special from Artsline Producer Angel Limb – Books make the perfect holiday gifts. They are portable, calorie-free and, if purchased at an independent bookstore, provide financial support to your community. Here are some of my favorite books read in 2015:
As theatre majors are sometimes prone to do, I was once involved in a discussion of which musicals best defined the American Spirit. Yeah, I’m a nerd. When it was my turn, I went with the musical that to me, speaks volumes about that intangible spirit; Gypsy.
It’s an intriguing concept to take seven different acclaimed playwrights and give each the assignment of writing a short one-act sketch to take place in the same place – a bar – with the only characters being a bartender and a childhood Christmas icon. I’m not talking Santa Claus icon, but those kids we’ve seen in Christmas plays, movies, and television shows who have grown up and have to reconcile their pasts with the present.
The year 1959 was one of profound transition in the United States as we passed from one major epoch into the next. It was also the year that jazz singer Billie Holiday died. Holiday’s passing was just as likely to be reported on the pages of the police blotter as the front page, as her various narcotics charges and wild ways were scandalous to many in that era.
But thanks to the healing distance of time, we can evaluate just how profound her influence was, and can only wonder what might have been had she received the kind of treatment that she needed rather than incarceration.